When Jelly Roll performed Mama, I’m Coming Home during the Rock & Roll Hall of Fame induction ceremony, he stepped into one of the most iconic songs in Ozzy Osbourne’s catalog.
Rather than imitate Ozzy’s legendary vocal, Jelly Roll delivered the ballad in his own style, relying on the grit and emotion in his voice instead of technical perfection. Backed by rock heavyweights Zakk Wylde and Chad Smith, the performance immediately sparked debate among fans. Some believed the raw delivery didn’t fit the song, while others felt its honesty made the tribute even more powerful.
What ultimately mattered most was Ozzy’s reaction. He praised Jelly Roll’s voice as “soulful, pure, and dirty,” giving the performance his personal approval. Love it or hate it, the tribute became one of the ceremony’s most talked-about moments.
you can now direct your next video with your voice 🎙️
just talk to Director. describe what you want, react to what comes back, keep directing until it feels right.
vibe directing just got a whole lot more natural.
Released in 2004, Michael Gray’s The Weekend became one of the defining house records of the decade.
Built around infectious disco-inspired grooves, soulful vocals from Shèna, and an unforgettable hook, the track perfectly captured the excitement of leaving the workweek behind and stepping into the weekend. Its blend of funky house rhythms and feel-good energy made it a favorite in clubs, bars, and festivals around the world.
missed being a kid today so i made a video of everything i loved as a child, set it to my favorite song, and honestly? i think i did a good job. once you start turning your imagination into reality you literally cannot stop
I'm obsessed with this. A girl uses a Waymo to prove to her boyfriend that SF isn't boring and every time the doors open, they teleport to a different part of the city. New neighborhood, new outfits, same judgmental Waymo. 😅
The whole thing was vibe directed in @openart_ai . You describe the story scene by scene and it renders up to 5 minutes as one continuous piece characters, style and that Waymo locked the entire way through. No stitching a hundred clips together.
Free at last. With his bee finally tamed, Leo takes to the sky and discovers a garden that stretches on forever, towering sunflowers, sparkling dew, and strange little creatures who don't seem to mind him at all. For once, the giant world feels like a playground. Then the ground starts to shake, a curious puppy comes bounding through the flowers, and the smallest adventurer alive has to run for his life.
Released in 2010, Danza Kuduro saw Don Omar and Lucenzo create one of the defining Latin dance anthems of the decade.
Adapted from Lucenzo’s earlier track Vem Dançar Kuduro, the song blended Spanish and Portuguese lyrics with the energetic rhythms of Kuduro, an Angolan dance style. Featured as the lead single from Meet the Orphans, it quickly became a worldwide hit, dominating clubs, festivals, and radio stations across the globe.
A small group just started directing entire commercials.
OpenArt just launched a new category called Vibe Directing, a way to build complete cinematic ads from a single sentence, with consistent characters, products, dialogue and story.
The people who master workflows like this early won’t just make better videos.. they’ll look like they have a production team behind them.
Comment “VIBE” and I’ll send you the tool plus the full PDF guide.
Beyond Hollowmark's walls lies the Ashreach, a desert so vast it swallows the men who dare to cross it. A new contract bearing the mark of Red Lashite draws Solrak and Seravyn into the burning sands, chasing the same beast that took an entire band of hunters and left no one to tell the tale. No tracks. No bodies. Only an endless horizon and a silence that presses harder with every step. Seravyn feels it before she sees it, that cold thread of dread coiling beneath the heat. Something is out here. Something that has done this before. And as the dunes shift and the sky begins to turn, one truth becomes clear: in the Ashreach, the hunters were never the ones doing the hunting.
Soulstrike — Episode 11
Made with @openart_ai
#soulstrike #openart #action #fantasy #drama
After returning to Baldur’s Gate 3 after a long break,
I suddenly felt the urge to create my own fantasy🦄
Every step of this project was powered by @openart_ai
오랜만에 발더스를 하다가 삘받아서 만들어봤습니다🦄
이 프로젝트는 @openart_ai 로 제작되었습니다.
프롬프트가 궁금하다면 댓글에 “Magic”이라고 남겨주세요!👇
🔥 This work is intended for portfolio purpose only. Unauthorized reproduction, redistribution, or commercial use by third parties is strictly prohibited.
Solrak and Seravyn finally come face to face with the thing the city paid them to find. It is no beast that crawls or stalks, it coils, vast and ancient, a serpent of the drowned dark that has fed on the silence for longer than the guild has kept its records. Their first contract as Shadow Hunters was never an easy purse. Steel trembles. Fire stirs. But against a horror this old, this hungry, is courage enough to walk back into the light?
When MTV Europe launched on August 1, 1987, it opened with Money for Nothing by Dire Straits—and the decision was far from random.
The song already featured the now-famous lyric, “I want my MTV,” making it the perfect introduction for the network as it debuted simultaneously across dozens of European countries. Executives wanted a video that represented the future of music television, combining innovative visuals with one of the biggest rock songs of the decade.
The moment mirrored MTV USA’s 1981 launch with Video Killed the Radio Star, giving European audiences their own historic opening chapter. More than three decades later, Money for Nothing remains permanently linked to the birth of MTV Europe and one of the most significant moments in music television history.
The advance of the species on other planets is considered high from our point of view. @Openart_ai allows us to create and give life to our arts. Follow our next posts and don’t forget to access the platform to bring your ideas to life.
