The karaoke scene in Project Hail Mary became one of the film’s most memorable moments despite never appearing in Andy Weir’s original novel.
Reportedly added during production after Ryan Gosling suggested giving Eva Stratt a rare moment of vulnerability, the scene features Sandra Hüller performing Harry Styles’ Sign of the Times, a song she personally chose and learned overnight before filming. The result is a brief but powerful break from Stratt’s usual cold, mission-focused demeanor.
En el futuro, las carreras no se gana, se sobreviven.
Cree este mini trailer que muestra la carrera más famosa del universo y la más letal.🏁
Video generado con la nueva función Director de @openart_ai la cual tuve la oportubidad de probar antes de su salida al público y me pareció brutal, luego hice algunos ajustes en Premiere Pro
I've been exploring OpenArt Director, and I'm honestly impressed by what it can do.
The level of control, consistency, and creativity it brings to AI image and video generation feels like a huge step forward. It makes the creative process smoother, faster, and much more enjoyable.
What used to take multiple prompts and countless iterations can now be achieved with far less effort. It's changing the way I create, experiment, and bring ideas to life.
Huge appreciation to the OpenArt team for building such an incredible tool. I'm excited to keep creating and can't wait to share more with all of you. 🚀✨
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Follow @serene_animated for daily amazing peaceful arts 🌿🤗
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Made with @openart_ai Director 🎬📽️
I had the opportunity to explore OpenArt Director before its public launch, and I wanted to push it beyond individual AI shots.
Instead of creating disconnected scenes, I directed a continuous football journey around the world.
From Mexico City to Montréal.
From Dubrovnik to Prague.
From Kyoto to Seoul.
Across deserts, mountains, rivers, coastlines and cities.
One player.
One ball.
One world.
Every country was designed as a chapter of the same story, with the FIFA World Cup ball acting as the bridge between nations.
What fascinated me most wasn’t generating clips.
It was directing the entire journey through conversation.
Describe an idea.
React to what comes back.
Refine the story.
Shape the world.
Honestly, it felt a lot like vibe directing, the video equivalent of vibe coding.
This project was built through storyboards, camera choreography, worldbuilding, character consistency, and cinematic transitions, all inside a single creative workflow.
Huge thanks to @openart_ai for the early access to Director and for letting creators explore what’s possible when filmmaking becomes conversational.
Released in 2003, Traffic became one of the defining tracks of Tiësto’s rise and a landmark record in trance music history.
Built around a driving synth line and relentless energy, the track proved that an instrumental could have just as much impact as any vocal anthem. It went on to become the first instrumental song to reach #1 on the Dutch charts, helping push trance further into the mainstream at a time when the genre was exploding across Europe.
When a glacier calves, the falling ice is often the least dangerous part of the event. 🧊🌊 The real threat is hidden beneath the surface, where enormous masses of submerged ice can be released with tremendous force as the glacier breaks apart.
Because roughly 90% of an iceberg’s volume sits underwater, the visible collapse is only part of the story. When the balance of the glacier suddenly changes, submerged ice can surge upward, displacing huge amounts of water and generating powerful localized waves that travel far beyond the initial splash zone.
This is why boats are required to keep a significant distance from actively calving glaciers. The danger isn’t just what you see falling—it’s the massive forces moving beneath the surface, capable of creating unpredictable waves and ice movement with little warning. 🌍❄️
Do androids dream of electric sheep?
This is one answer.
“The Cell Within” — a NADHIR dream. What Echo sees when she closes her eyes: a prison nested inside a prison inside a prison. She breaks free from each one… only to land in the next. There is no out.
Built with OpenART’s new Director agent — instead of directing shot by shot, I handed it a full production brief and let it run the whole piece as a co-director. Then finished it in CapCut, scored with one of my original NADHIR soundtracks.
Episodes 1 & 2 are on YouTube now → link in bio 🎬
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Every frame started as a conversation and evolved into something bigger - shaping the mood, refining the visuals, building the story, and directing it until it felt right.
Tried Director's music video mode today from OpenArt — and I wasn't expecting this 🧊🌴
I gave it a song, a reference image, and one gloriously absurd idea: a ripped latino polar bear caught between the arctic and the Caribbean. And Director just… went to work.
Here's what it did, step by step:
🎵 Analyzed the track — structure, BPM, and lyrics extracted automatically
✍️ Showed me the lyrics to approve before moving on
🎨 Pitched 5 different creative directions for the clip — with a recommended pick
📄 Wrote a full production treatment
🎬 Planned 10 scenes mapped across the entire song
🖼️ Generated reference images: character, environments, and key props
📽️ Rendered 21 shots with synced lip-sync
🎞️ Assembled the final cut with the song laid over it
All in vertical 9:16, photoreal, with that surrealist polar/tropical contrast I described from the start.
I didn't prompt a video. I directed a music video. That's vibe directing — and once you feel it, it's hard to go back.
#AI #GenerativeAI #Filmmaking #MusicVideo #OpenArt #VibeDirecting
(early access via collaboration with OpenArt)
One cable. One survivor. One scar that still glows. 🔥 THE TETHER — This Winter. 🛠️ Made with (tools / tech credits): Concept → script → shot plan: OpenArt Director @openart_ai@wearewonderstudios
🎥 Created with AI on OpenArt — #MadeWithOpenArt #AIfilm
#SciFi #AIcinema
Comment “SHOT” and I’ll send you the full guide + my 10 best cinematic prompts 👇
What happens when you put the two best AI models on the planet into one tool and ask it to direct a film for you?
I tried this and Smart Shot built a full cinematic scene from one sentence, the same way a real production team would, except it took 30 seconds instead of weeks.
Step 1: Type one sentence describing the scene. Smart Shot builds an entire production document before it renders a single frame.
Step 2: It generates character sheets. The exact same person shows up in every shot, no more different face every generation.
Step 3: It maps a floor plan and a six-shot storyboard. You see the whole scene before it even exists
Step 4: It picks the lenses and lighting for you. 24mm wide, 50mm orbit, 18mm crane, plus lighting specs on every shot.
Then it renders the scene. Same character, real camera moves, cuts that feel like an actual film.
